Well, the nominations have been announced and I am proud to say my husband and I ended up seeing all 10 of the Best Picture nominees! But goodness am I behind in telling you about them! And not to mention the other nominees we've seen.
The Fighter - Once again, annoyed by noisy patrons at the Arbor. What is the deal, people?! Anyways, I really liked the movie. Great acting performances and a really interesting story. I don't really follow any kind of fighting, so the plot was all new to me (it's the story of "Irish" Micky Ward). Christian Bale (Best Supporting Actor) certainly deserves the win and I was disappointed Mark Wahlberg didn't make the nomination cut. I read somewhere recently that Melissa Leo's (Best Supporting Actress) performance is kind of like, "Give me an Oscar!" and I do agree with that assessment. She's incredible, but she showed much more range and depth in Frozen River (her first Academy Award nomination). The sisters are as great as everyone says and Amy Adams (Best Supporting Actress) really holds her own as well. Good movie, but we'll get to my favorite movie set in Massachusetts in a minute.
The Kids Are All Right - Super interesting movie. To me, the movie was really about the difficulties of a committed relationship, regardless of your gender or orientation. Of course, it is complicated by the fact there is a third unknown figure (the sperm donor) that doesn't exist in all relationships. It was kind of comforting (to me) to see the similarities in romantic relationships, rather than the overt ones that the movie addresses on the surface. I don't really think Mark Ruffalo should have been nominated for Best Actor - he's good, of course - but he doesn't really cover any new ground in this role. Annette Bening (Best Actress) and Julianne Moore are believable and I really commend this movie for its boldness. Definitely one to see.
How to Train Your Dragon - Super cute, nominated for Best Animated Film and Best Original Score. Very fun to watch, great message, but doesn't really hold a candle to Toy Story 3.
The Town - Now this is my favorite movie set in Massachusetts and in my opinion, the biggest snub by the Academy. Jeremy Renner, of course, deserves his nomination for Best Supporting Actor, but this film deserves so much more. Best Picture, Best Director, Best Adapted Screenplay - you name it. We finished it and I wanted to watch it again. Really interesting action/crime/drama, but much less complicated than The Departed. Do yourself a favor and Netflix this one ASAP.
Biutiful - Thankfully, not disrupted by loud Arbor patrons! This is nominated for Best Foreign Film and Best Actor (Javier Bardem). Bardem portrays a criminal who is diagnosed with terminal cancer and sets about his life to make things right. I really don't want to give away too much and while my short summary is dismal, this movie really is good. The imagery is subtle, yet lovely, and you continue to root for Javier Bardem's character. There are some difficult scenes, but the beauty really does outweigh those. Keep an eye out for when you feel like watching a heavy, subtitle, yet rewarding movie.
Coming up? Turns out our life is pretty busy between now and the big show. Our current Netflix movie is Animal Kingdom (Best Supporting Actress - Jacki Weaver) and we have I am Love (Best Costume Design), Restrepo (Best Documentary-Long Subject), and Exit Through the Gift Shop (Best Documentary-Long Subject) all on streaming. Unfortunately, we missed Rabbit Hole (Best Actress - Nicole Kidman) in the theaters, so if we make it back to our dear Arbor it will be to see either Blue Valentine (Best Actress - Michelle Williams) or The Illusionist (Best Animated Film) - or both!
What are you seeing next?
Tuesday, February 15, 2011
Tuesday, January 25, 2011
Boys of Summer
So...I was driving to work this morning and since 101X insists on playing Red Hot Chili Peppers all of the time, I flipped over to KGSR and the aforementioned song was playing. It was the original, by Don Henley. I like this song. I think it's a great song. My parents were into Don Henley when I was younger, so I've been with this song for a long time.
However, as most girls my age, I got into the Atari's around the end of high school. They are your basic post-punk, pop-rock band. On their album, "So Long, Astoria" they included their version of this song. I loved it, America loved it (it is still their highest charting single). They updated it a little - their version is a little more rockin' and they reference Black Flag rather than the Grateful Dead. All in all, great cover.
So back to me in my car this morning. I'm waiting to turn left and having sort of a low-key jam to Don Henley when I found myself wanting a little more to the song. And I realized, I really like the Atari's version a lot better than Don Henley's original. I feel like the later version of the song has more emotion, and more than that, more desperation. Kris Roe's vocals really capture the nostalgia and the urgency of this regret about a time has drifted away. Don Henley just kind of sounds like he's cruising, you know?
So there, I said it. I admitted it. I like the cover better than the original. Sorry, Don Henley, but thank you so much for playing it with the Eagles at ACL Fest last year!
Funny side story - when my husband and I were first dating, he made me a mix cd for my birthday (which was about 3 weeks after we started dating). So he calls me the next day to ask how I liked it and all that business. As I was praising his excellent mix cd skills he asked, "Did you like how I threw down the original 'Boys of Summer'?" I did my best, but ended up busting up laughing. The cd had the version by DJ Sammy. He assumed that the Ataris had covered a DJ Sammy song. Hilarious. He is still that adorable. Maybe that's why I like this song so much...
However, as most girls my age, I got into the Atari's around the end of high school. They are your basic post-punk, pop-rock band. On their album, "So Long, Astoria" they included their version of this song. I loved it, America loved it (it is still their highest charting single). They updated it a little - their version is a little more rockin' and they reference Black Flag rather than the Grateful Dead. All in all, great cover.
So back to me in my car this morning. I'm waiting to turn left and having sort of a low-key jam to Don Henley when I found myself wanting a little more to the song. And I realized, I really like the Atari's version a lot better than Don Henley's original. I feel like the later version of the song has more emotion, and more than that, more desperation. Kris Roe's vocals really capture the nostalgia and the urgency of this regret about a time has drifted away. Don Henley just kind of sounds like he's cruising, you know?
So there, I said it. I admitted it. I like the cover better than the original. Sorry, Don Henley, but thank you so much for playing it with the Eagles at ACL Fest last year!
Funny side story - when my husband and I were first dating, he made me a mix cd for my birthday (which was about 3 weeks after we started dating). So he calls me the next day to ask how I liked it and all that business. As I was praising his excellent mix cd skills he asked, "Did you like how I threw down the original 'Boys of Summer'?" I did my best, but ended up busting up laughing. The cd had the version by DJ Sammy. He assumed that the Ataris had covered a DJ Sammy song. Hilarious. He is still that adorable. Maybe that's why I like this song so much...
Tuesday, January 11, 2011
Survival
This weekend brought 2 more Golden Globe-nominated, Oscar-hopeful movies. When I was thinking about blogging about these 2 movies together, their common thread dawned on me: survival - in 2 very different ways. The movies also have stellar performances and a real grittiness in common.
Friday night found my husband and I at the Arbor and as ready as we would ever be to see 127 Hours. While it was nice to be in a mostly empty theatre for a change, there were 2 LOUD women over my left shoulder. Listen, I gasped out loud a time or two and my husband and I whisper to each other, but this was like prolonged exclamations and repetitive conversations. If only I could have raised an order flag to alert my server. Alas...
Anyways - 127 Hours chronicles the 127 hours hiker Aron Ralston spent with his hand trapped between a boulder and a canyon wall in Bluejohn Canyon in Utah. I actually saw him on Letterman shortly after his ordeal, so I was really intrigued that they were making a movie about it. I was even more intrigued when I learned Danny Boyle was directing it. So basically Aron spends his weekends hiking and climbing and this particular weekend (seemingly due to his own sense of invincibility) did not let anyone know where he was going. Cut to mid-day Saturday and he is at the bottom of a canyon with his hand stuck Between a Rock and a Hard Place (also the name of his book). If you don't know how this story ends - SPOILER ALERT. After some minor hallucinations and struggling to free his hand from the rock, Ralston decides to take fate into his own hands and frees himself - by cutting his arm off a few inches below the elbow. He then wanders for about 8 more hours, rappels down a cliff (WITH ONE ARM!), and is rescued by a Swedish family.
I heard this movie described as basically an acting master class by James Franco. This description is dead-on. He commits to this carefree character and really spirals into the depression, grief, and mania that this man went through. One particularly interesting scene is when Aron is interviewing himself as if on a radio show for hikers, Franco captures both charm and disdain in this exchange with himself. But even outside of Franco's performance, the movie is exceptionally crafted with an uplifting score by A.R. Rahman. Yes, the amputation scene is gruesome, but you get a really cathartic ending that is made all the better by the fact that this a true tale of survival and really coming out on the other side. He chose physiological survival and gained his life back.
On Saturday we finally watched our Netflix movie - Winter's Bone. This story is set in the backwoods of the Ozarks and follows Ree Dolly. Ree is a 17-year-old who is primarily responsible for her younger brother and sister and her mother that has been pushed psychologically over-the-edge. The family barely has enough to make it day-to-day anyways, but then a police officer informs Ree that her crank-cooking father has put up their land and house for his bond and they lose it if he doesn't show up for court the next week. Ree must strike out on her own to track him down. She has to confront his family and rival "families," all the while caring for her own. Jennifer Lawrence (as Ree Dolly) gives a powerful and unapologetic performance in this "country noir" film. I ended up liking the movie although it was a little hard to follow due to the authentic accents and dialects. I also liked seeing the resilience of a teenager and her prevailing love for her family. Ree didn't pity herself or the hand she was dealt and that part of her character pushed her to take care of her family at all costs. Survival again!!
Coming Attractions - I'm hoping to see The Fighter this weekend and we'll finally get a new Netflix movie in the mail - The Kids Are All Right.
Friday night found my husband and I at the Arbor and as ready as we would ever be to see 127 Hours. While it was nice to be in a mostly empty theatre for a change, there were 2 LOUD women over my left shoulder. Listen, I gasped out loud a time or two and my husband and I whisper to each other, but this was like prolonged exclamations and repetitive conversations. If only I could have raised an order flag to alert my server. Alas...
Anyways - 127 Hours chronicles the 127 hours hiker Aron Ralston spent with his hand trapped between a boulder and a canyon wall in Bluejohn Canyon in Utah. I actually saw him on Letterman shortly after his ordeal, so I was really intrigued that they were making a movie about it. I was even more intrigued when I learned Danny Boyle was directing it. So basically Aron spends his weekends hiking and climbing and this particular weekend (seemingly due to his own sense of invincibility) did not let anyone know where he was going. Cut to mid-day Saturday and he is at the bottom of a canyon with his hand stuck Between a Rock and a Hard Place (also the name of his book). If you don't know how this story ends - SPOILER ALERT. After some minor hallucinations and struggling to free his hand from the rock, Ralston decides to take fate into his own hands and frees himself - by cutting his arm off a few inches below the elbow. He then wanders for about 8 more hours, rappels down a cliff (WITH ONE ARM!), and is rescued by a Swedish family.
I heard this movie described as basically an acting master class by James Franco. This description is dead-on. He commits to this carefree character and really spirals into the depression, grief, and mania that this man went through. One particularly interesting scene is when Aron is interviewing himself as if on a radio show for hikers, Franco captures both charm and disdain in this exchange with himself. But even outside of Franco's performance, the movie is exceptionally crafted with an uplifting score by A.R. Rahman. Yes, the amputation scene is gruesome, but you get a really cathartic ending that is made all the better by the fact that this a true tale of survival and really coming out on the other side. He chose physiological survival and gained his life back.
On Saturday we finally watched our Netflix movie - Winter's Bone. This story is set in the backwoods of the Ozarks and follows Ree Dolly. Ree is a 17-year-old who is primarily responsible for her younger brother and sister and her mother that has been pushed psychologically over-the-edge. The family barely has enough to make it day-to-day anyways, but then a police officer informs Ree that her crank-cooking father has put up their land and house for his bond and they lose it if he doesn't show up for court the next week. Ree must strike out on her own to track him down. She has to confront his family and rival "families," all the while caring for her own. Jennifer Lawrence (as Ree Dolly) gives a powerful and unapologetic performance in this "country noir" film. I ended up liking the movie although it was a little hard to follow due to the authentic accents and dialects. I also liked seeing the resilience of a teenager and her prevailing love for her family. Ree didn't pity herself or the hand she was dealt and that part of her character pushed her to take care of her family at all costs. Survival again!!
Coming Attractions - I'm hoping to see The Fighter this weekend and we'll finally get a new Netflix movie in the mail - The Kids Are All Right.
Friday, January 7, 2011
Good Start to a New Year
Somehow we made it to 2 movies in the first 2 days of 2011. We have since dropped off.
After a scrumptious day of football and New Year's food (...and mimosas), we made our way to the Alamo Drafthouse Village for a late showing of True Grit. Now I (nor anyone in my party, I believe) haven't seen the original or read the book that each movie is based on - just wanted to get that out there. That being said, I really enjoyed it. As expected all of the principal actors gave inspired performances and it was shot very beautifully by the Coen's (again, as per usual). I personally really enjoyed seeing the movie in a room full of Texans as Matt Damon's character is a Texas Ranger and plays that part as you expect. A little braggadocio and a lot of drawl. Fortunately we all found it humorous, but I did wonder what people in the rest of the country thought about that sort of portrayal and Texans in general. It probably just perpetuated the over-the-top, horse-riding, boots and hat-wearing stereotype - but at least he was charming, right? I also really loved the continuity of the musical theme of the hymn "Leaning on the Everlasting Arms." I'm not really sure why they chose Iris DeMent's version as their jumping off point, but she appears to be successful for some reason. Incidentally the composer's reliance on old hymns is what disqualified this film from being eligible for Best Original Score. Certainly deserves a nomination for Best Picture, don't know if it deserves to win.
The next day we traveled down to Alamo South Lamar for a lunch showing of The King's Speech. Great performances again - although I was most impressed with Colin Firth and Helena Bonham Carter as the once and future King and Queen. Colin Firth was a family and company man, but still likable and really displayed the true struggle that King George VI endured his whole life long. I have remarked to more than one person that it was so lovely to see Helena Bonham Carter not play a crazy-face. She was prim and proper and sweet and really added a great, supportive asset to the film. I also liked how the film explored Bertie's (Colin Firth) brother's abdication of the throne and the family issues that posed - not just overcoming a stammer. All in all a very interesting and good movie. The friend we saw the movie with asked us to rank this movie with others we've seen recently and it was hard because it really is a great movie, but it's not anything like Black Swan or even True Grit. Like how would you even compare? It's a great period peace that is impeccably crafted, but I wouldn't say it broke any new ground.
This afternoon I'm hoping to get out to see either 127 Hours or The Fighter. Don't worry - I'll check back and let you know what I think.
After a scrumptious day of football and New Year's food (...and mimosas), we made our way to the Alamo Drafthouse Village for a late showing of True Grit. Now I (nor anyone in my party, I believe) haven't seen the original or read the book that each movie is based on - just wanted to get that out there. That being said, I really enjoyed it. As expected all of the principal actors gave inspired performances and it was shot very beautifully by the Coen's (again, as per usual). I personally really enjoyed seeing the movie in a room full of Texans as Matt Damon's character is a Texas Ranger and plays that part as you expect. A little braggadocio and a lot of drawl. Fortunately we all found it humorous, but I did wonder what people in the rest of the country thought about that sort of portrayal and Texans in general. It probably just perpetuated the over-the-top, horse-riding, boots and hat-wearing stereotype - but at least he was charming, right? I also really loved the continuity of the musical theme of the hymn "Leaning on the Everlasting Arms." I'm not really sure why they chose Iris DeMent's version as their jumping off point, but she appears to be successful for some reason. Incidentally the composer's reliance on old hymns is what disqualified this film from being eligible for Best Original Score. Certainly deserves a nomination for Best Picture, don't know if it deserves to win.
The next day we traveled down to Alamo South Lamar for a lunch showing of The King's Speech. Great performances again - although I was most impressed with Colin Firth and Helena Bonham Carter as the once and future King and Queen. Colin Firth was a family and company man, but still likable and really displayed the true struggle that King George VI endured his whole life long. I have remarked to more than one person that it was so lovely to see Helena Bonham Carter not play a crazy-face. She was prim and proper and sweet and really added a great, supportive asset to the film. I also liked how the film explored Bertie's (Colin Firth) brother's abdication of the throne and the family issues that posed - not just overcoming a stammer. All in all a very interesting and good movie. The friend we saw the movie with asked us to rank this movie with others we've seen recently and it was hard because it really is a great movie, but it's not anything like Black Swan or even True Grit. Like how would you even compare? It's a great period peace that is impeccably crafted, but I wouldn't say it broke any new ground.
This afternoon I'm hoping to get out to see either 127 Hours or The Fighter. Don't worry - I'll check back and let you know what I think.
Thursday, December 30, 2010
Black and Deathly
With the onslaught of movies opening in our fair city, the husband and I are trying to ease back into our crazy movie-viewing rhythm. Christmas somehow consumed all of December, so it's been slow going.
Against my better judgment, my husband convinced me that we should just screw it and go see Harry Potter and the Deathly Hallows on the Tuesday before Thanksgiving. I had laundry to do, birthdays to shop for, soup to cook - but somehow was swayed to spend at least 2.5 hours at the movies instead. Guess what, people? Totally worth it. I really liked the movie. I even liked that the money-grubbing powers that be decided to split the book into 2 movies. I think this decision will really do this final tale justice. The plot clicked along a little faster than in the book (but that's pretty necessary), but even so it was able to show the fact that Harry, Ron, and Hermione are blossoming adults, yet still awkward kids. These actors have really grown professionally and it's beautiful to see that as well. I was also very impressed with the cinematography - the wilderness scenes really achieve the desolation and isolation that the characters are feeling. They aren't just gorgeous settings in the UK. My favorite scene may have been the one in Godric's Hollow - it looked and felt just how I imagined it when I read it!!! Super eerie, yet weighted with fate and importance. It was kind of like when I saw the first movie and you came upon Hogwarts for the first time. Very exciting. I know one general criticisms of these movies is their disjointed nature for the viewers who have not read the books (like they plot doesn't connect well enough for them to really be stand-alone movies). But my husband hadn't read this book yet and he felt like he could follow it pretty well. I am anxiously awaiting Part 2! I know a few people are holding out on seeing Part 1 until the second part comes out so they don't have to wait for the end (a la The Lord of the Rings). While I understand that viewpoint, I was just too excited to see this one!
Once our 10-day Christmas celebration ended on the 26th, we dropped the dog off at home and raced over to the Arbor to see Black Swan. I was definitely nervous about being disappointed because there has been so much hype. The film is really a slow build, so for the first 30 minutes I was kind of like, "damn, over-hyped." But then, it kind of snuck up on me and I was right there in it. Flawless performances all around and really interesting through and through. It is much more than a dance movie and more than a thriller. It's one of those that you discuss at length with each person you encounter who has seen it as well. There are tons of nooks and crannies and possibilities to explore. And yes, the lesbian scene is pretty hot.
We also attempted to see The King's Speech this week, but it was sold out. Attempt #2 is on Sunday. I'm also hoping to make it out for one more this week - True Grit, The Fighter, 127 Hours, who knows?
Against my better judgment, my husband convinced me that we should just screw it and go see Harry Potter and the Deathly Hallows on the Tuesday before Thanksgiving. I had laundry to do, birthdays to shop for, soup to cook - but somehow was swayed to spend at least 2.5 hours at the movies instead. Guess what, people? Totally worth it. I really liked the movie. I even liked that the money-grubbing powers that be decided to split the book into 2 movies. I think this decision will really do this final tale justice. The plot clicked along a little faster than in the book (but that's pretty necessary), but even so it was able to show the fact that Harry, Ron, and Hermione are blossoming adults, yet still awkward kids. These actors have really grown professionally and it's beautiful to see that as well. I was also very impressed with the cinematography - the wilderness scenes really achieve the desolation and isolation that the characters are feeling. They aren't just gorgeous settings in the UK. My favorite scene may have been the one in Godric's Hollow - it looked and felt just how I imagined it when I read it!!! Super eerie, yet weighted with fate and importance. It was kind of like when I saw the first movie and you came upon Hogwarts for the first time. Very exciting. I know one general criticisms of these movies is their disjointed nature for the viewers who have not read the books (like they plot doesn't connect well enough for them to really be stand-alone movies). But my husband hadn't read this book yet and he felt like he could follow it pretty well. I am anxiously awaiting Part 2! I know a few people are holding out on seeing Part 1 until the second part comes out so they don't have to wait for the end (a la The Lord of the Rings). While I understand that viewpoint, I was just too excited to see this one!
Once our 10-day Christmas celebration ended on the 26th, we dropped the dog off at home and raced over to the Arbor to see Black Swan. I was definitely nervous about being disappointed because there has been so much hype. The film is really a slow build, so for the first 30 minutes I was kind of like, "damn, over-hyped." But then, it kind of snuck up on me and I was right there in it. Flawless performances all around and really interesting through and through. It is much more than a dance movie and more than a thriller. It's one of those that you discuss at length with each person you encounter who has seen it as well. There are tons of nooks and crannies and possibilities to explore. And yes, the lesbian scene is pretty hot.
We also attempted to see The King's Speech this week, but it was sold out. Attempt #2 is on Sunday. I'm also hoping to make it out for one more this week - True Grit, The Fighter, 127 Hours, who knows?
Friday, November 19, 2010
"If they invented facebook, they would have invented facebook!"
I was watching Conan last night and Jesse Eisenberg was one of the guests. This reminded me that I never posted a review of The Social Network.
My husband and I saw it at the Alamo Drafthouse Lake Creek about a month ago and I remember really enjoying it start to finish. However, in the days and weeks since, it's been kind of clanging around in my head. But not in an interesting, let's-think-about-it way like Inception, more like it wasn't super-memorable. I've been wondering why. I know you're thinking it was the glass of wine or whatever I had during my dinner-and-a-movie, but my husband and I split a bucket of beer at Inception, and I remember a whole hell of a lot more about that movie.
Seeing Jesse Eisenberg on Conan was a great refresher. Jesse Eisenberg (and Justin Timberlake) is what made the movie so great. The movie, if you don't know, is about the beginning of facebook. How it came together at Harvard at the beginning of the decade and how it almost fell apart upon the business's move to California. Of course, it follows Mark Zuckerberg as well, as the two seem more and more inseparable as the movie rolls on. It's an interesting story of relationships and status (to be honest), and what else is facebook about really?
However, Jesse Eisenberg, though his character (Mark Zuckerberg) is somewhat unassuming, commands your attention throughout the entire movie. He is in such control of himself, his emotions, his speech, that you are really interested by this character/person. After watching it, though, I was kind of like, "yeah, he was good, but isn't he just like that?" He is not - is what I found out on Conan last night. He is awkward, unsure, and self-deprecating. And loves cats (he fosters cats, isn't that so nice?!). He seemed like such a nice guy, but not necessarily at all like the cocky programmer he portrayed on screen. The Oscar buzz for his performance is still strong, so you may want to head out and catch this one if you still can. It also features great support performances from Justin Timberlake (as Sean Parker), Andrew Garfield (the new Spider-Man), and this guy who plays the Winkelvoss twins. It's interesting for anyone who uses facebook, which is everyone (except my mom, thank God). At the very least watch the trailer, which may be one of my favorite trailers of all time.
On a related note, are you watching Conan? I am, and DVR-ing it as well. I really like it and I don't want to let Conan down like I did with the The Tonight Show (I only watched his first and last episodes, but to be fair, I go to bed at the time that show comes on; how my parents watch so much of The Late Late Show with Craig Ferguson - I will never understand). I'm ready for the show (so glad Andy Richter is back!) to get into a groove and get some recurring bits, but I'm sticking with it for now (I kind of miss watching Family Guy, though).
My husband and I saw it at the Alamo Drafthouse Lake Creek about a month ago and I remember really enjoying it start to finish. However, in the days and weeks since, it's been kind of clanging around in my head. But not in an interesting, let's-think-about-it way like Inception, more like it wasn't super-memorable. I've been wondering why. I know you're thinking it was the glass of wine or whatever I had during my dinner-and-a-movie, but my husband and I split a bucket of beer at Inception, and I remember a whole hell of a lot more about that movie.
Seeing Jesse Eisenberg on Conan was a great refresher. Jesse Eisenberg (and Justin Timberlake) is what made the movie so great. The movie, if you don't know, is about the beginning of facebook. How it came together at Harvard at the beginning of the decade and how it almost fell apart upon the business's move to California. Of course, it follows Mark Zuckerberg as well, as the two seem more and more inseparable as the movie rolls on. It's an interesting story of relationships and status (to be honest), and what else is facebook about really?
However, Jesse Eisenberg, though his character (Mark Zuckerberg) is somewhat unassuming, commands your attention throughout the entire movie. He is in such control of himself, his emotions, his speech, that you are really interested by this character/person. After watching it, though, I was kind of like, "yeah, he was good, but isn't he just like that?" He is not - is what I found out on Conan last night. He is awkward, unsure, and self-deprecating. And loves cats (he fosters cats, isn't that so nice?!). He seemed like such a nice guy, but not necessarily at all like the cocky programmer he portrayed on screen. The Oscar buzz for his performance is still strong, so you may want to head out and catch this one if you still can. It also features great support performances from Justin Timberlake (as Sean Parker), Andrew Garfield (the new Spider-Man), and this guy who plays the Winkelvoss twins. It's interesting for anyone who uses facebook, which is everyone (except my mom, thank God). At the very least watch the trailer, which may be one of my favorite trailers of all time.
On a related note, are you watching Conan? I am, and DVR-ing it as well. I really like it and I don't want to let Conan down like I did with the The Tonight Show (I only watched his first and last episodes, but to be fair, I go to bed at the time that show comes on; how my parents watch so much of The Late Late Show with Craig Ferguson - I will never understand). I'm ready for the show (so glad Andy Richter is back!) to get into a groove and get some recurring bits, but I'm sticking with it for now (I kind of miss watching Family Guy, though).
Thursday, September 23, 2010
Pandora
No, not that Pandora, I already reviewed that one. By the way - did anyone see the "Avatar" re-release? All I ever really heard about it was that they extended the "sex" scene. Meh.
Anyways - I was listening to Pandora (internet radio station you build) at my little desk yesterday. The radio station selected was my Rilo Kiley one with Ben Folds thrown in. So...I'm scanning along in my little hole and "Question" by the Old 97's comes on. I immediately switch back to my browser window so I can click on "Like" as fast as possible - and it's already been selected. Good ear, Pandora.
The thing about this song is - it just makes me feel right. And like everything in the world is right for 2 minutes. As soon as the opening riff started I gasped out loud and just drifted away for a moment to the scene where I imagine this song taking place. It's simple, just guitar and vocals, verse-chorus-verse-chorus, but it packs an emotional, sentimental punch. This song is just perfection.
Here's the chorus (I'll sing it to you any time you like):
Someday somebody's gonna ask you
A question that you should say 'yes' to
Once in your life
Maybe tonight
I've got a question for you
Pair this with the tall drink of water that is Rhett Miller and the way he sways his hips when he plays guitar and I am done.
Other Old 97's faves:
* "Rollerskate Skinny" (my fave)
* "Great Barrier Reef" (my husband's fave)
* "Nineteen"
* "Firefly" (inspiration for my myspace and absolutepunk names - haha! so punk, right?!)
UPDATE - I wandered over to their website after I initially posted this entry and discovered they have a new album coming out on October 12th. Can't wait! Mr. Ken Bethea does a great, quick breakdown on all of the songs on their homepage (and Rhett Miller has a videoblog from the offices of Dunder-Mifflin! That's right, MB, I said it.).
Anyways - I was listening to Pandora (internet radio station you build) at my little desk yesterday. The radio station selected was my Rilo Kiley one with Ben Folds thrown in. So...I'm scanning along in my little hole and "Question" by the Old 97's comes on. I immediately switch back to my browser window so I can click on "Like" as fast as possible - and it's already been selected. Good ear, Pandora.
The thing about this song is - it just makes me feel right. And like everything in the world is right for 2 minutes. As soon as the opening riff started I gasped out loud and just drifted away for a moment to the scene where I imagine this song taking place. It's simple, just guitar and vocals, verse-chorus-verse-chorus, but it packs an emotional, sentimental punch. This song is just perfection.
Here's the chorus (I'll sing it to you any time you like):
Someday somebody's gonna ask you
A question that you should say 'yes' to
Once in your life
Maybe tonight
I've got a question for you
Pair this with the tall drink of water that is Rhett Miller and the way he sways his hips when he plays guitar and I am done.
Other Old 97's faves:
* "Rollerskate Skinny" (my fave)
* "Great Barrier Reef" (my husband's fave)
* "Nineteen"
* "Firefly" (inspiration for my myspace and absolutepunk names - haha! so punk, right?!)
UPDATE - I wandered over to their website after I initially posted this entry and discovered they have a new album coming out on October 12th. Can't wait! Mr. Ken Bethea does a great, quick breakdown on all of the songs on their homepage (and Rhett Miller has a videoblog from the offices of Dunder-Mifflin! That's right, MB, I said it.).
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